Intentional Community in Exile

Categories:

When:
September 18, 2016 @ 2:00 pm – 5:00 pm
2016-09-18T14:00:00-07:00
2016-09-18T17:00:00-07:00
Where:
Berkeley Art Museum & Pacific Film Archive
2155 Center St
Berkeley, CA 94704
USA
Cost:
Free

Intentional Community in Exile (ICE) presents “Intentional Community in Exile (ICE)”

Including a treatise on ‘warming up exile without melting’ using voices, bodies.

Discussion: 2pm in the Berkeley Art Museum & Pacific Film Archive Koret Reading Room

Action: 3:30pm

ICE (Intentional Community in Exile) is a fresh new mutual aid society, built to sustain radical, creative and political practices within a hostile economic system. ICE breaks with the assumption that the objective of this life is a house with a nuclear/biological family, through accumulation of personal property, or individual recognition. ICE is being made by a small group of precarious transient anti-capitalist women trying to survive together while being literally and metaphorically evicted.

Please join us on September 18, for a discussion and a performance of life practices as well as frameworks for material and immaterial mutual support. This project is about finding ways to exit economic precarity by building human relationships instead of accumulating capital– to make exile ‘warm.’

The entire time I have lived in “x” I have been precarious and indebted. I have only survived, and thrived, because of the networks of solidarity and mutual aid I have participated in. Now, as the city, “x” gentrifies beyond the imagination, I’m being forced to leave. I don’t want to let those networks die. If people like me are going to survive in this world, we need to imagine and create better non-monetary common resources.

BAMPFA event page: http://www.bampfa.berkeley.edu/event/heavy-breathing-4-ice-feminist-economics-department

Presented in collaboration with Berkeley Art Museum & Pacific Film Archive, Heavy Breathing is a monthly series of experimental movement seminars designed by artists that combine physical activity with group discussion on ideas related to their creative practice. Critical discourse often feels heady, abstract, and divorced from the body. How do conversations change when we are moving our bodies and out of breath? What new modes of thinking become possible?

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